 Ahmed Badrxan | |
|---|---|
| Born | 18 September 1909 egypt |
| Died | 26 August 1969 (aged 59) Egypt |
| nationality Occupation | kurdish Film director, screenwriter |
| Years active | 1936-1968 |
Ahmed Badrxan (18 September 1909 – 26 August 1969) was an Kurdish Egyptian film director and screenwriter. He directed 42 films between 1936 and 1968 and 27 screen writer.He was one of the most prominent directors and first pioneers in the classical Egyptian cinema.
Life
Trained in Germany and France at the beginning of the 1930s, Ahmed Badraxan was the mainstay of the great studies Misr, architects of the spectacular development of Egyptian since the middle of that same decade cinema. After debuting in 1937 with a film at the service of the famous singer Um Kulzum, Nasheed el Amal, Badraxan became the usual filmmaker of the counted - but very resonant - film appearances of the same (directed four of the six films she performed: Dananir, Aida and Fatma, besides Nasheed el Amal) and in the great figure of the commercial cinema of the time. Although the musical was one of the most cultivated genera Badrakhan - he worked for other stars of the song local (such as Shadia, the enormously popular Farid El-Attrach)-, his career is nevertheless fraught with forays into other genres
Next to the light melodrama, no doubt his two specialties (including or not songs), Badraxan performed a couple of biographical films of some interest: Mustafa Kamil, on an Egyptian national hero, and Sayyid Darwish, about a legendary singer of the early century. Allahu morning is, for its part, the most representative of a number of nationalist and patriotic exaltation films made by Badraxan and which coincide with the arrival of Nasser to power, even though it wasn't in return to their genres and common formulas, which grew until the end of his long career.
Ahmed Badrxan had a major role in persuading the founder of the Egyptian economy, Talaat Pasha Harb, to establish Studio Misr, to become a major Egyptian institution for the graduation of Egyptian filmmakers.Badrxan was appointed as a director in the studio, but due to disagreements with the director of Studio Misr, resignation.
filmography
Director
1968 Afrah
1967 El nessef el akhar
1958 The Foreigner
1956 How Can I Forget You
1956 The Little Bride
1955 A Promise of Love
1955 For Your Beautiful Eyes
1955 God Is on Our Side
1955 Promise
1954 The Song of My Heart
1953 Mustafa Kamel
1952 Ayza atgawwez
1952 I Want to Get Married
1952 The Faith
1952 A Night of Love
1950 You and I
1950 Akher kedba
1949 I Love You Only
1947 Cairo-Baghdad
1947 Fatmah
1947 Kiss Me Father
1946 Appearances Are Deceptive
1946 Honeymoon
1946 No Can Do
1946 Return of the Caravan
1946 Tears and Glory
1945 A Hansom Carriage
1945 A Kiss in Lebanon
1945 The New Generation
1944 The Innocents
1944 Who Is the Criminal?
1943 Honour Is Precious
1942 On the Stage of Life
1942 Storm in the Country
1942 Aydah
1941 Victory of Youth
1940 An Obscure Life
1940 Dananir
1939 Something About Nothing
1937 The Chant of Hope
1936 Wedad
screenwriter
Allāh ma’nā
1,955 -
alshan ayunak
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ayaza atjovz
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Mostafā kāmel
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layla qarām
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Āxar-e kadba
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Enā vānet
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ahbak an-at
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Helm layla
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fetna
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fatema
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al-qahera Baqdād
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Mā aqdrash
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a;-nafxat al-kadaba
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uda al-qafila
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Majd... va damou
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Šahr al-asal
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qebla fi Lobnān
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elaabia
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ayeda
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Ali mesrah al-hayat
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asefa Ali-ye al-rif
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Entesār al-shabab
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hayat al-zalam
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Danānir
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lashin
1,938 -
Maniyat šabāb-i
1,937 -
Vedād
1,936 -
from:elcinema
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Egypt and Egyptians are not of Arab descent, and the history of Egypt is not an Arab country./In general, after the Islamic invasion, the country also changed a lot in the history of its nationality and its country.Although many Arabs have migrated to Egypt over the course of history.